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Modern Nature, in post-production 2026
Modern Nature presents a series of portraits of couples and individuals, filmed in public spaces on an academic campus. Here, performers collectively rehearse a script comprising passages from Jeannette Winterson’s Written on the Body (1992) and Derek Jarman’s Modern Nature (1991). Written within a year of one another during the 1980s culture wars, a period marked by the hostilities of Thatcherism and government denial of the AIDS epidemic, Winterson’s and Jarman’s texts provide a framework for reflection in the present, engaging with the bifurcation of politics and illness and the exploration of spaces for queerness and desire as respite. As sources for a moving-image work, these writings offer a vantage point for scripting, production, and on-screen performance, filtered through attention, interpretation, and relation. As a poetic recording of this collective reading, the film constructs a provisional space of textual re- articulation and approaches rehearsal as a form of worldmaking with feminist, queer, and socialist lineages.
Directed by Rita Ferrando
Producer Candice Napoleone
Cinematography John Ker
Editor Andrea Franco
Sound Designer & Mixer Stefana Fratila
Cast Julia Hendrickson, Saffron Maeve, Mauricio Diaz, Iman Bundu, Chloe Leblanc, Susannah Height, and Camille Rojas
Assistant Director Beth Warrian
1st AC Felipe López Gómez
2nd AC Ashley Mach
Camera Trainee Evan Park
Location Sound Recordist Ian Reynolds
Costume Designer Jackie Knight
Production Assistant Özge Dîlan Arslan
Film Lab MELS
Special Thanks Smoking Vintage









Modern Nature, in post-production 2026
Modern Nature presents a series of portraits of couples and individuals, filmed in public spaces on an academic campus. Here, performers collectively rehearse a script comprising passages from Jeannette Winterson’s Written on the Body (1992) and Derek Jarman’s Modern Nature (1991). Written within a year of one another during the 1980s culture wars, a period marked by the hostilities of Thatcherism and government denial of the AIDS epidemic, Winterson’s and Jarman’s texts provide a framework for reflection in the present, engaging with the bifurcation of politics and illness and the exploration of spaces for queerness and desire as respite. As sources for a moving-image work, these writings offer a vantage point for scripting, production, and on-screen performance, filtered through attention, interpretation, and relation. As a poetic recording of this collective reading, the film constructs a provisional space of textual re- articulation and approaches rehearsal as a form of worldmaking with feminist, queer, and socialist lineages.
Directed by Rita Ferrando
Producer Candice Napoleone
Cinematography John Ker
Editor Andrea Franco
Sound Designer & Mixer Stefana Fratila
Cast Julia Hendrickson, Saffron Maeve, Mauricio Diaz, Iman Bundu, Chloe Leblanc, Susannah Height, and Camille Rojas
Assistant Director Beth Warrian
1st AC Felipe López Gómez
2nd AC Ashley Mach
Camera Trainee Evan Park
Location Sound Recordist Ian Reynolds
Costume Designer Jackie Knight
Production Assistant Özge Dîlan Arslan
Film Lab MELS
Special Thanks Smoking Vintage